At the end of July, I shifted a lot of attention towards designing the actual scarf pattern.
Rather than creating a decorative pattern after the animation, I wanted the pattern to become the structural foundation of the entire project.
I explored abstract luxury-inspired compositions with:
- large and small enclosed areas
- flowing boundaries
- strong negative space
- spatial hierarchy
- architectural rhythm
- varied densities
I also used artists like Anni Ambers, Bruno Munari, Mariano Fortuny, Josef Hoffmann and movements like Art Deco.
With these… I tried and merge them and create my own pattern… after some attempts this was it.
Each area could have a different type of behaviour, allowing the film to gradually increase in complexity.