WEEK 2: Animation Weight

For this week’s class, I read the Timeline chapter from the ‘Animators Survival Kit’. Back in the 1930s, animators like Grim Natwick realised that smooth motion was not magic—it’s math. By drawing only the start and end “extreme” poses of an action and then placing a carefully chosen “breakdown” drawing exactly halfway, they created a… Continue reading WEEK 2: Animation Weight

WEEK 2: Pendulum

After watching in class ‘Everything is a Bouncing Ball’, I learned that timing is key in animation. Last week’s bouncing ball assignment was the key to everything: timing creates emotion, spacing controls speed, and arcs move feel natural. In the video, we visualise characters as collections of bouncing balls, making the most complex animations manageable.… Continue reading WEEK 2: Pendulum

WEEK 1: Golden Poses

On the other hand, regarding Characters, we learned about the Golden Pose. This concept refers to the strong, readable silhouette that conveys a character’s actions and emotions, making them legible to the audience. Core elements, including a strong silhouette, a clear line of action, expressive composition, balance, and readability, were explained. Additionally, we examined key… Continue reading WEEK 1: Golden Poses

WEEK 1: Introduction

During the first lesson, the importance of research and learning was discussed. We went through how the classes would be structured, as it is a theory and essay-driven subject. The syllabus was explained thoroughly, focusing on updating this blog and outlining the structure of assignments, finishing with a 1,500-word critical report at the end of… Continue reading WEEK 1: Introduction