This week, we had online tutorials with Nigel, and we went through my proposal outline together. We discussed how to proceed with the readings, given that there were many, and how to read only the parts that interest me. Another thing mentioned was to include keywords such as ‘motion graphics’ or ‘opening graphics’. But he found everything well structured and ready.
After his class, I went onto organise my critical report:
Introduction:
Explain why title sequences are crucial for contemporary storytelling in film and TV, highlighting their narrative and emotional function. State your research question and mention examples like The Crown, Se7en, or Westworld to contextualise. Provide a brief chapter outline (theory, case studies, current practices).
LITERATURE REVIEW
P1: Cinema and narrative influence on title design (Elsaesser, Bordwell & Thompson) – visual/sonic form creates sensory/emotional experience.
P2: Animation/motion design evolution from functional to narrative/emotional (Buchan, Furniss).
P3: Titles as autonomous narrative paratexts (Stanitzek, Davison, Inceer) constructing identity/emotion.
CHAPTER 1: Title Sequences as Narrative Paratexts
Define title sequences and their significance as audiovisual paratexts. Explain narrative/emotional function (viewer preparation, tone setting, narrative promise – Davison). Brief case study (The Crown or Se7en) showing autonomous communication of identity/emotion.
CHAPTER 2: Visual and Sonic Strategies in Contemporary Title Sequences
Theoretical framework: “Form and Feeling” (Bordwell & Thompson), “Sensory Experience” (Elsaesser & Hagener). Detailed The Crown analysis (visual: symmetry/light/colour/typography; sound: music/rhythm; emotional narrative construction). Comparison (Se7en or Westworld) contrasting strategies by genre/narrative intent.
CHAPTER 3: Contemporary Studios and Hybrid Practice
Contextualise studios like Make Make/Elastic (hybrid techniques: 2D/3D/live-action/sound design), integrating narrative/branding. Brief case study (Westworld or Lessons in Chemistry) analysing visual/emotional/branding strategy. Explain why hybrid approaches work for modern audiences.
CONCLUSION
Summarise key findings on motion designers’ construction/communication of narratives/emotions. Explicitly answer the research question connecting theory/analysis/practice. Note limitations/extensions; reflect on your motion design practice.